01/2020

01/2020#

Now I am alone. Oh, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing— For Hecuba! What’s Hecuba to him or he to Hecuba That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appall the free

      Poets μ 
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                Times ψ —> Gonzago 𝛿 —> Rig κ
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               Abstract Brief Chronicles σ

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      Measures μ 
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                  Transitory ψ —> Lifetime 𝛿 —> Data κ
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                  Cross-sectional  σ

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29 hearts!  -A JHU record
32 lungs-JHU record
250 kidneys- JHU record (almost)
17 Live donor Livers-JHU record
 
What a team.  Tons of hard work.  Tons of happy patients and families.  Congratulations to all and onto 2020!

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So will send the concept...issues are;

# as doctors age, experience is not documented so essentially doctors die off with a wealth of intellectual value. Can we document their intellect for posterity?

# as patients die we loose value in cause, intervention, failed relief and longevity interventions. Can we have this documented for trend analytical learning?

# all medical research is isolated, can we build a dynamic and continous capsule to capture all these challenges in real time. Can we make an entire population one huge research study?

# medical training exposes one to the patients of one's timing. What if we can deliver a condition or disease study with temperal and geo dimemsions? 

# who gives objective drug integrity feedback to pharmaceuticals? Can they use our data sets for analysis of drug efficiency based on strain evolution and condition resistance? Can we tell the next disease resistance or rennaisance by studying viral or bacterial evolution?

See and internalise these issues as we prepare to meet. I have a plan

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https://www.nytimes.com/2020/01/05/business/boeing-737-max.html

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The fifth estate is my life’s task
Creating values in higher culture
Laissez faire guided by invisible hand
Insurance against Human, All too Human
Answer to Nietzsche’s call in eponymous book

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Tayebwa
Anita
Timothy
Moses

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Nietzsche’s Eternal Return

Why thinkers of every political persuasion keep finding inspiration in the philosopher.

It takes a strong philosopher to assume control of a preposition and propel it into a foreign language. That is what Friedrich Nietzsche did with the word über. In German, it can mean “over,” “beyond,” or “about.” You are reading an essay über Nietzsche. As a prefix, über is sometimes equivalent to the English “super”—übernatürlich is “supernatural”—but it has less of an aggrandizing effect. Nietzsche altered the destiny of the word when, in the eighteen-eighties, he began speaking of the Übermensch, which has been translated as “superman,” “superhuman,” and “overman.” Scholars still debate what Nietzsche had in mind. A physically stronger being? A spiritual aristocrat? A kind of cyborg? “Overperson” might be the most literal equivalent in English, although it is unlikely that DC Comics would have sold many comic books using that title.

In 1903, three years after Nietzsche’s death, George Bernard Shaw published his play “Man and Superman,” in which he equated the Übermensch with an overflowing “Life Force.” Three decades later, Jerry Siegel and Joe Shuster, two Cleveland teen-agers, created the first “Super-Man” story, depicting the character not as a caped hero but as a bald, telepathic villain bent on “total annihilation.” Super-Man soon reëmerged as a muscle-bound defender of the good, and during the Second World War he jumped into the fight against the Nazis. It’s unclear whether Siegel and Shuster knew of Nietzsche in 1933, but the word “superman” hardly existed in English before the philosopher’s ideas began to spread.

As Nietzsche worked his wiles on generations of English-speaking college students, the word Übermensch increasingly stood on its own, and “über” slipped into English as a prefix. In the nineteen-eighties, Spy described the Hollywood agent Michael Ovitz as an “über-agent.” The umlaut-free car-sharing service Uber, originally known as UberCab, is a related development, hinting at Silicon Valley fantasies of world domination. In the late twentieth century, the word “super” rebounded into German as all-purpose slang for “very”; if you wish to describe something as really, really cool, you say that it is super super toll. Somewhere, Nietzsche is laughing hysterically while screaming in anguish.

The adventures of “super” and “über” are a case study in the inescapability of Nietzsche’s philosophy, which has affected everyday discourse and modern political reality like no body of thought before it. Countless books on Nietzsche are published in dozens of languages each year, linking him to every imaginable zone of life and culture. One can read about the French Nietzsche, the American Nietzsche, the pragmatic Nietzsche, the analytic Nietzsche, the feminist Nietzsche, the gay Nietzsche, the black Nietzsche, the environmentalist Nietzsche. 

Lurking amid the crowd of avatars is the proto-fascist Nietzsche—the proponent of pitilessness, hardness, and the will to power who is cited approvingly by such far-right gurus as Alain de Benoist, Richard Spencer, and Aleksandr Dugin. Can a philosopher who has sown such confusion be said to possess a coherent identity? Or, as Bertrand Russell once argued, is Nietzsche merely a literary phenomenon?

When I was in college, in the nineteen-eighties, the French Nietzsche held sway. It was the heyday of post-structuralism, and Nietzsche appeared to anticipate one of the central insights of that era: that we are at the mercy of ever-shifting systems and perspectives. The work of Michel Foucault, Gilles Deleuze, and Jacques Derrida is all but inconceivable without Nietzsche’s example. So many professors distributed photocopies of the 1873 essay “On Truth and Lie in an Extra-Moral Sense” that we could have recited it as a postmodern pledge of allegiance: 

“What, then, is truth? A mobile army of metaphors, metonyms, and anthropomorphisms. . . . Truths are illusions about which one has forgotten that this is what they are.”

In the past few decades, other Nietzsches have come to the fore. Anglo-American philosophers have aligned him with various schools of post-analytic thought, seeing him as an idiosyncratic kind of psychologist or sociologist. Nietzsche’s political thinking is also a trending topic, although his ideas are devilishly difficult to reconcile with modern conceptions of left and right. He raged against democracy and egalitarianism, but also against nationalism and anti-Semitism. Nietzsche is often quoted in the chat rooms of the far right, and he also surfaces regularly in leftist discussions about the future of democracy.

Walter Kaufmann, the German-American émigré whose translations of Nietzsche were long the standard versions in English, once declared that the philosopher’s writings are “easier to read but harder to understand than those of almost any other thinker.” Ideologues keep trying to appropriate him because they want his rhetorical firepower on their side. Yet Nietzsche, like his fallen idol Richard Wagner, is at once emphatic and ambiguous, overbearing and elusive. Nietzsche’s famous adage that there are “no facts, only interpretations” is among his more debatable propositions, but it applies perfectly well to his own infuriating, invigorating body of work.

The itinerant, solitary, sickly life of Nietzsche has been told many times, most recently in English by the biographer Sue Prideaux, in “I Am Dynamite!” The title comes from an unnerving passage in “Ecce Homo,” Nietzsche’s autobiographical book of 1888, which was completed a couple of months before he descended into insanity, at the age of forty-four:
I know my lot. One day my name will be linked to the memory of something monstrous [etwas Ungeheueres]—to a crisis like none there has been on earth, to the most profound collision of conscience, to a verdict invoked against everything that until then had been believed, demanded, held sacred. I am no man, I am dynamite.

How a Lutheran pastor’s son, trained in classical philology, ended up on that precipice of brilliance and madness is the essential drama of Nietzsche’s life. The passage has been read as an eerie premonition of his future appropriation by the Nazis—although there is no way of knowing exactly what kind of crisis is meant. Ungeheuer is an ambiguous word, hovering between the monstrous and the gigantic. Kaufmann translated it as “tremendous,” which takes away too much of the ominousness. Here is the sumptuous difficulty of Nietzsche: when you drill down on a word, an abyss of interpretation opens.

Nietzsche grew up in the village of Röcken, outside Leipzig. The church where his father preached still stands; Nietzsche, the scourge of Christianity, is buried in a plot next to the building. The elder Nietzsche, like his son, was afflicted by severe physical and mental problems—violent headaches, epileptic strokes, amnesiac episodes—and died at the age of thirty-five, when Friedrich was four. Nietzsche himself had a mental breakdown in middle age. The old story that his breakdown stemmed from syphilis is now widely doubted; a likelier explanation is a hereditary neurological or vascular disorder. Neurologists in Belgium and Switzerland have concluded that he had cadasil, a genetic condition that causes repeated strokes.

“I Am Dynamite!” lacks the philosophical scope of prior biographies by Rüdiger Safranski and Julian Young, but Prideaux is a stylish and witty narrator. She begins with the pivotal event in Nietzsche’s life: his introduction, in 1868, to Wagner, the most consequential German cultural figure of the day. Nietzsche would soon assume a professorship in Basel, at the astonishingly young age of twenty-four, but he jumped at the chance to join the Wagner operation. For the next eight years, as Wagner completed his operatic cycle “The Ring of the Nibelung” and prepared for its première, Nietzsche served as a propagandist for the Wagnerian cause and as the Meister’s factotum. He then broke away, declaring his intellectual independence first with coded critiques and then with unabashed polemics. Accounts of this immensely complicated relationship are too often distorted by prejudice on one side or another. Nietzscheans and Wagnerians both tend to off-load ideological problems onto the rival camp; Prideaux succumbs to this temptation. She insists that Nietzsche’s talk of a superior brood of “blond beasts” has no modern racial connotation, and casts Wagner’s Siegfried as an Aryan hero who “rides to the redemption of the world.” In fact, Siegfried is a fallen hero who rides nowhere; the redeemer of the world is Brünnhilde.

Prideaux’s picture of the Wagner-Nietzsche relationship fails to explain either the intensity of their bond or the trauma of their break. Early on, Nietzsche was hopelessly infatuated with Wagner’s music and personality. He described the friendship as “my only love affair.” As with many infatuations, Nietzsche’s expectations were wildly exaggerated. He hoped that the “Ring” would revive the cultural paradise of ancient Greece, fusing Apollonian beauty and Dionysian savagery. He envisaged an audience of élite aesthetes who would carry a transfiguring message to the outer world. Wagner, too, revered Greek culture, but he was fundamentally a man of the theatre, and tailored his ideals to the realities of the stage. At the first Bayreuth Festival, in 1876, Nietzsche was crestfallen to discover that a viable theatre operation required the patronage of the nouveau riche and the fashionable.

Personal differences between the two men provide amusing anecdotes. Nietzsche made sporadic attempts at musical composition, one of which caused Wagner to have a laughing fit. (The music is not very good, but it is not as bad as all that.) Wagner also suggested to Nietzsche’s doctor that the young man’s medical issues were the result of excessive masturbation. But the disagreements went much deeper, revealing a rift between ideologies and epochs. Wagner embodied the nineteenth century, in all its grandeur and delusion; Nietzsche was the dynamic, destructive torchbearer of the twentieth.

When they first met, they shared an admiration for the philosophical pessimism of Arthur Schopenhauer, who saw a world governed by the insatiable striving of the will. Only through the renunciation of worldly desire, Schopenhauer posited, can we free ourselves from our incessant drives. Aesthetic experience is one avenue to self-overcoming—an idea that the art-besotted Nietzsche seized upon. But he disdained Schopenhauer’s emphasis on the practice of compassion, which also promises release from the grasping ego. Wagner, by contrast, claimed to value compassion above all other emotions. “Parsifal,” his final opera, has as its motto “Durch Mitleid wissend, der reine Tor” (“The pure fool, knowing through pity”). Nietzsche’s 1878 book, “Human, All Too Human,” his inaugural assault on Wagner and Romantic metaphysics, hammers away at the word Mitleid, considering it an instrument of weakness. In its place, Nietzsche praises hardness, force, cruelty. “Culture simply cannot do without passions, vices, and acts of malice,” he writes.

These views made Wagner wince, as the diaries of Cosima Wagner, his wife, attest. In an earlier essay entitled “The Greek State,” Nietzsche had declared that “slavery belongs to the essence of a culture.” The intellectual historian Martin Ruehl speculates that Wagner persuaded Nietzsche to omit the essay from his first book, “The Birth of Tragedy Out of the Spirit of Music” (1872), which culminates in a paean to Wagner. During the same period, though, Nietzsche was castigating German tendencies toward nationalist chauvinism and anti-Semitism—conspicuous elements in Wagner’s political blatherings. What seems particularly unfortunate about the break is that each man had an acute sense of the other’s blindnesses.

Nietzsche not only rejected the sublime longings of nineteenth-century Romanticism; he also jettisoned the teleology of historical progress that had governed European thought since the Renaissance, and that had found its most formidable advocate in Hegel. Instead, Nietzsche grounded himself in a version of naturalism—the post-Darwinian conviction that humans are an animal species, led by no transcendent purpose. This turn yields Nietzsche’s most controversial concepts: the announcement of the death of God; the “eternal return,” which frames existence in terms of endlessly repeating cycles; and the will to power, which involves a ceaseless struggle for survival and mastery. It might be said that Nietzsche, in backing away from Wagner, backed into his own mature thought—the celebration of Dionysian energy, the “triumphal yes to life over and above all death and change.”

Between his final meeting with Wagner, in 1876, and his mental collapse of 1889, Nietzsche lived the life of an intellectual ascetic. Health problems caused him to resign his professorship in 1879; from then on, he adopted a nomadic life style, summering in the Swiss Alps and wintering, variously, in Genoa, Rapallo, Venice, Nice, and Turin. He wrote a dozen books, of increasingly idiosyncratic character, poised between philosophy, aphoristic cultural criticism, polemic, and autobiography. He worked out many of his ideas during vigorous Alpine hikes—a practice fondly re-created by John Kaag in the recent book “Hiking with Nietzsche.” The possibility of a romance with the psychologist Lou Andreas-Salomé arose and then subsided; a serious relationship was probably beyond his reach. The landscape of the mind consumed his attention. As Safranski wrote, “For Nietzsche, thinking was an act of extreme emotional intensity. He thought the way others feel.”

Translating Nietzsche is a difficult task, but the swagger of his prose, with its pithy strikes and sudden swerves, can be fairly readily approximated in English. Kaufmann, in his translations, brought to bear a strong, pugnacious style. In his introductions and footnotes, he distanced Nietzsche from fascist bombast—naming the Übermensch the “Overman” was just one strategy—and recast him as a kind of existentialist. But Kaufmann underplayed Nietzsche’s slippery elegance, and his choice not to translate “Human, All Too Human” and its successor, “Dawn” (1881), gave a skewed view of the thinker’s development. A series of translations from Cambridge University Press covered the gaps. Now Stanford University Press is halfway through a nineteen-volume edition of Nietzsche’s complete writings and notebooks. The press has been threatened with cuts in funding, but if the project is achieved English readers will have, for the first time, access to the entirety of Nietzsche’s work.

Since 1967, the German publisher De Gruyter has been amassing a critical edition of Nietzsche’s complete writings, which can be browsed on a dizzyingly comprehensive Web site, nietzschesource.org. This monumental project has, to the annoyance of some scholars, attracted increasing attention to Nietzsche’s extensive notebooks. These show a less awe-inspiring side of the philosopher, as he jots down items from his reading and delivers utterances esoteric, mundane, and bizarre:

When five people speak together, a sixth always has to die.
The Chinese eat very many dishes in very small portions.
I could become the European Buddha.
If you aren’t a bird, be careful not to camp above an abyss.
Woman is so little satisfied with herself that she would rather permit herself to be beaten than—
The last thought is left blessedly unfinished. Nietzsche’s misogyny is a brute fact that no pageant of interpretation can disguise.

Yet the notebooks contain some of Nietzsche’s most vital, pungent writing. Consider a remarkable passage from 1885, which appears in the most recent Stanford volume, “Unpublished Fragments (Spring 1885–Spring 1886),” in a translation by Adrian Del Caro. It has long been known to readers as the final section of “The Will to Power,” Nietzsche’s posthumous so-called magnum opus, assembled under the direction of his reactionary sister, Elisabeth Förster-Nietzsche, and published in 1901. To come across it in the Stanford edition, free of Förster-Nietzsche’s tendentious and often deceptive editorial practices, is a bracing shock:

And do you also know what “the world” is to me? Should I show it to you in my mirror? This world: a colossus [Ungeheuer] of energy, without beginning, without end, a firm, unshakable magnitude of energy that does not get bigger, does not get smaller, that does not expend itself but only transforms itself, as a whole unchangeable in size, an economy without expenditures and losses, but likewise without growth, without income, encased by “nothingness” as by its border, nothing blurring, wasted, nothing infinitely extended, but laid into a definite space as a definite force, and not a space that would be “empty” anywhere, rather as force everywhere, as play of forces and waves of forces . . . this my Dionysian world of eternal self-creating, of eternal self-destroying, this mystery-world of the doubly voluptuous, this my beyond good and evil, without goal, if a goal does not lie in the happiness of the circle, without will, if a ring does not have good will for itself—do you want a name for this world? A solution for all its riddles? a light for you too, you hiddenmost, strongest, most intrepid, most midnightly?—This world is the will to power—and nothing else! And you yourselves are also this will to power—and nothing else!

The central sentence actually goes on for almost twice as long, disrupting the rat-a-tat rhythm that is typical of Nietzsche’s later writing. He generally resisted the epic long-windedness of nineteenth-century German prose, but here he makes an exception as he verbally acts out the condition of universal flux. An additional wrinkle is that the diction begins to resemble the ecstatic love duets of Wagner’s “Tristan und Isolde” (“Without naming / Without parting / Newly knowing / Newly burning”). You could quibble with this or that choice in Del Caro’s rendering—the statuesque word “colossus” seems a poor choice for Ungeheuer—but the passage has the right racing, dancing energy.

No creature in Nietzsche’s menagerie of concepts has caused as much trouble as the will to power. At first glance, this entity strongly resembles Schopenhauer’s all-devouring will. For Martin Heidegger, the will to power was the last gasp of metaphysics—an attempt to capture the “basic character of all beings,” which Heidegger wishes to supplant with his post-metaphysical idea of being-in-the-world. Gilles Deleuze, the chief guru of the French Nietzsche, wrote, “The will to power is not force but the differential element which simultaneously determines the relations of forces (quantity) and the respective qualities of related forces.” One needn’t know exactly what Deleuze means here to accept the underlying proposition that Nietzsche understands power less as a struggle for domination over others than as a struggle for power over oneself. Rather than fleeing abjectly from the will, as in Schopenhauer, one should seek to harness it, master it, ride it out.

When Nietzsche revisits this material, in “Beyond Good and Evil” (1886), he pulls back abruptly, placing the will to power in a hypothetical, almost ironic frame. He begins, “Supposing nothing were ‘given’ as real besides our world of desires and passions . . .” After a series of qualifications, he concludes, “Supposing finally that we were to succeed in explaining our entire life of drives as the taking shape and ramification of a basic form of the will—namely of the will to power, as my proposition has it . . . then we would have earned the right to unequivocally determine all effective force as: will to power.” Nietzsche, for all his bravado, likes to hedge his bets, as Tom Stern points out in the introduction to “The New Cambridge Companion to Nietzsche.” He writes that the philosopher’s style is one of “rhetorical questions, ellipses, fables, mini-dialogues, hints that much is left unsaid, and apparent praise for seeming to be other than you are.”

This cyclone of nuance goes missing when we reduce Nietzsche to maxims. Nor should we try to extract a system that can be summarized on a chalkboard. Ultimately, his writing is a mode of criticism, of übersubjective intellectual reportage, grounded in extreme self-awareness. Freud is said to have commented that Nietzsche “had a more penetrating knowledge of himself than any other man who ever lived or was ever likely to live.”

Monsters lurk in the Nietzschean deep. It cannot be a random mishap that so many unpleasant people have taken pleasure in his work. None other than Jacques Derrida discouraged talk of “falsifications” of Nietzsche, fascist or otherwise. “One can’t falsify just anything,” Derrida wrote, with unaccustomed bluntness. (One can, in fact, falsify anything, as a glance at the morning paper shows, but the point holds.) However selective the Nazi appropriation of Nietzsche may have been, it replicated elements of his thought. He did write that equality is the “greatest of all lies,” and divided humanity into a hierarchy of the weak and the strong. Hans Stark, the head of the admissions detail at Auschwitz, had a sign over his desk reading “Mitleid ist Schwäche” (“Compassion Is Weakness”). This could be read as a crude condensation of Nietzsche’s diatribe against compassion in “The Antichrist.”

Ronald Beiner, in a new book entitled “Dangerous Minds: Nietzsche, Heidegger, and the Return of the Far Right,” claims that the resurgence of far-right political movements around the world is evidence of Nietzsche’s nefarious influence. His hostility to absolute truth, Beiner writes, has “left us vulnerable to harsh new ideologies that appear to regard respect for truth as a snare.” To be sure, a circuitous chain of connections is needed to get from “Thus Spake Zarathustra” and “Beyond Good and Evil” to Donald Trump’s ravings about “fake news” or the vicious fictions of Sandy Hook conspiracy theorists. Merely to announce a high regard for truth is no guarantee that truth will be uttered. Indeed, some of the most hideous acts in history have been committed by people who believe themselves to be in sole possession of absolute truth. In the American context, merchants of hatred hardly need to look to a nineteenth-century German philologist for inspiration: they can draw on older and deeper wells at home.

Beiner is right to urge latter-day interpreters to abandon talk of an apolitical Nietzsche, but he is arguing largely with a previous generation of scholars. There is no lack of contemporary publications that deal forthrightly with Nietzsche’s political thinking: these include Hugo Drochon’s “Nietzsche’s Great Politics,” Tamsin Shaw’s “Nietzsche’s Political Skepticism,” and Gary Shapiro’s “Nietzsche’s Earth: Great Events, Great Politics.” Stern catalogues Nietzsche’s most problematic traits in the “Cambridge Companion,” although he adds the caveat that “we must have more categories available to us than ‘Nazi/not-Nazi,’ ‘anti-Semite/anti-anti-Semite,’ ‘far-sighted/foolish’ or ‘to be attacked/defended at all costs.’ ”

A recurring theme in these studies is that Nietzsche could be a fiercely prescient analyst of democratic politics, and that we can learn from his observations without following him into antidemocratic invective. In an essay in the “Cambridge Companion,” Christa Davis Acampora writes, “A popular view of Nietzsche regards him as an advocate of bald expressions of power, but he is better understood as someone who investigates—rather than celebrates—power.” Who can deny that human beings are a fundamentally predatory species, and that no political system or moral code has yet tamed our worst impulses? Nineteenth-century thinkers in the tradition of Hegel anticipated the attainment of a perfected state of humanity; instead, as Nietzsche foresaw, a century of unprecedented horrors ensued. During the Cold War, the powers that defeated fascism brought the world to the brink of a nuclear war that would have made the Second World War seem like a minor episode in comparison. Today, anthropogenic climate change is causing mass extinctions. To quote Zarathustra: “The Earth has a skin, and this skin has diseases. One of these diseases is called, for example, ‘humanity.’ ”

Nietzsche’s central insight about the modern state—one that greatly influenced the sociology of Max Weber and the political thinking of Carl Schmitt—is that it faces a crisis of authority. When power is no longer divinely ordained, the right to govern is contested. In “Human, All Too Human,” Nietzsche predicted that, as the democratic state secularized itself, there would be a surge of religious fanaticism resistant to centralized government. On the other side, he anticipated a zealous adherence to the state on the part of nonbelievers. Religious forces might seize control again, engendering new forms of enlightened despotism—“perhaps less enlightened and more fearful than before.” These struggles could go on for a while, Nietzsche writes. In one long paragraph, he prophesies the history of the twentieth century, from fascism to theocracy.

To the opponents of democracy, Nietzsche says, in essence: Just wait. Liberal democracy will devour itself, creating conditions for authoritarian rule. Disorder and instability will sow distrust in politics itself. “Step by step, private companies will absorb the functions of the state,” Nietzsche writes. “Even the most tenacious remnants of the old work of governing (the activity, for example, that is supposed to protect private persons from one another) will finally be taken care of by private entrepreneurs.” The distinction between public and private spheres will disappear. The state will give way to the “liberation of the private person (I take care not to say: of the individual).”

And here we are, in the twenty-first-century world of laissez-faire economics and unregulated Big Tech monopolies. As the political philosopher Urs Marti has pointed out, Nietzsche sometimes sounds less like a proto-Nazi than like a neoliberal or a libertarian. A notebook entry from 1885-86 looks ahead to “a superior kind of human being that thanks to its preponderance of willing, knowing, wealth and influence, makes use of democratic Europe as its most pliable and flexible tool for taking the destinies of the earth in hand, for shaping ‘the human being’ itself as an artist would.” Silicon Valley tycoons strive to become just such übermenschlich innovators. The entrepreneur Peter Thiel, an avid reader of Nietzsche, says things like “I no longer believe that freedom and democracy are compatible.” In this light, Nietzsche’s opposition to nationalism and anti-Semitism looks less virtuous. For tech billionaires, national and racial hatreds are inconveniences; their authoritarianism wears a cosmopolitan face, promising frictionless commerce for all.

Is that what Nietzsche wants? His avoidance of the word “individual,” in favor of “private person,” suggests skepticism. And a crucial aspect of his world view militates against monopolistic power. In 1995, Lawrence Hatab published a fascinating book called “A Nietzschean Defense of Democracy,” which emphasizes the philosopher’s attachment to the Greek agon—competition among worthy adversaries, whether athletic or artistic. Hatab revisits that connection in an essay, in the “Cambridge Companion,” on the will to power. In Nietzsche’s reading, the Greek mentality abhorred the idea of an Alleinherrschaft, a “domination by one.” The Athenian institution of ostracism originated in the need to expel individuals who threatened the balance of power. As Hatab observes, the rite of the agon “rules out violence, because violence is actually an impulse to eliminate conflict by annihilating or incapacitating an opponent.” In “Ecce Homo,” Nietzsche writes, “I attack only a winner.” He goes after the most tyrannical, domineering forces—hence, his critiques of God and Wagner.

The relevance for the modern democratic state is clear. James Madison’s vision of constitutional checks and balances, of divided powers in equilibrium, is agonistic politics in action. When one entity gathers too much power, the system ceases to function. Nietzsche’s political philosophy would appear to hope for such an outcome, but in “Human, All Too Human” he performs a typical backtracking maneuver. Having forecast the death of the state, he adds, “To work toward the diffusion and realization of this idea is admittedly something else.” The enterprise could lead to “destructive experiments.” It is a good thing, then, that, in all likelihood, “the state will still persist for a good while yet.”

Behind Nietzsche’s array of extreme positions is a much less alarming belief: that the only healthy state for humanity is one in which rival perspectives vie with one another, with none gaining the upper hand. The same attitude governs his fundamental epistemological position about the nature of truth. Each competitor in the agon is expected to stake his or her claims on truth; Nietzsche advanced his own opinions with utmost vehemence. The ultimate truth is that no claim should achieve dominion over all others. As Richard Rorty maintained, Nietzsche can be understood as a particularly flamboyant kind of pragmatist. We don’t think of William James as a “dangerous mind,” and yet he, too, said, “Damn the Absolute!”

Whenever I feel bewildered by endless interpretive skirmishes over the philosophical Antichrist, I return to Alexander Nehamas’s “Nietzsche: Life as Literature,” which appeared in 1985 and retains a commanding place on the near-infinite Nietzsche bookshelf. Nehamas, a Greek-American thinker steeped in classical studies, essentially made a virtue of Bertrand Russell’s dismissal of Nietzsche. The contradictions in Nietzsche’s writings cohere, Nehamas writes, if we look at him as a literary figure who worked within a philosophical context, and who crafted a persona that functions as a literary character of novelistic complexity.

The disparity between the living Nietzsche and the written one was indeed drastic. He was a fragile, sensitive, gentle person with elegant manners, constantly striving to mask his inner turmoil and physical distress. He let his personal anguish be reflected in a universal predicament: how can we hold to our convictions in the face of chaos, conflict, decay, and death? The idea of the eternal return—the prospect of having to live one’s life over and over, every detail repeated, every pain alongside every joy—becomes all the more potent when one thinks about having to relive that life, to its terrible end.

Nietzsche remains a heroic figure in intellectual history because his lonely, desperate quest seems to join up with so many other expeditions of the mind and soul. Wherever you travel, in sunny climates or in the shadowlands, Nietzsche has gone before you. Such is the temper of what may be the most openhearted and unproblematic passage in all of his writings—the closing aphorism of “Dawn,” perhaps his most beautiful book:

All these bold birds who fly out into the wide, widest open—it is true! At some point they will not be able to fly any farther and will squat down on some pylon or sparse crag—and very grateful for this miserable accommodation to boot! But who would want to conclude from this that there was no longer a vast and prodigious trajectory ahead of them, that they had flown as far and wide as one could fly! All our great mentors and precursors have finally come to a stop, and it is hardly the noblest and most graceful of gestures with which fatigue comes to a stop: it will also happen to you and me! Of what concern, however, is that to you and me! Other birds will fly farther! 

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All these bold birds who fly out into the wide, widest open—it is true! At some point they will not be able to fly any farther and will squat down on some pylon or sparse crag—and very grateful for this miserable accommodation to boot! But who would want to conclude from this that there was no longer a vast and prodigious trajectory ahead of them, that they had flown as far and wide as one could fly! All our great mentors and precursors have finally come to a stop, and it is hardly the noblest and most graceful of gestures with which fatigue comes to a stop: it will also happen to you and me! Of what concern, however, is that to you and me! Other birds will fly farther!

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🎶 “I pulled up in a drop-top, she dropped dead.” 🎵 “my diamonds dancing hopscotch, they holding hands” 🎶

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Philosophy is about awakening the powerless (i.e., the effeminate)
The epistemological approach, then, has been in great error in being dogmatist
Nietzshe has advanced truth because his method and style is one of education and charm

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Copies for Jjingo and Paulo 
The two Turyahikayo brothers brilliant stuff 
Havo Harare 
Our think tank 

Allan Mugisha
1.Quarrel with boxes, buckets (Quantity Surveyor, Architect, Civil Engineer, Lawyer, Economist, Geologist)
2.Single firm that offers comprehensive service 
3.Does this sound familiar or what?
4.All tortured minds will end up in the same place
4.That place is the realization of the duality: States vs. Processes 

.



Joel 
Esther 
Clara 
Israel 
Nate 
—
Josiah
Juuko 
__
Bunga 
Mwedde Crescent 🌙 

https://maps.google.com/?q=0.277031,32.625610

.


Web-based tech
The ultimate leveler 
Very much like —
Uniformly distributed power 
Put to use by Trump, Russia, etc 
Why shouldn’t everyone else do so??

Music 🎼🎵 🎶 
Yet another leveler 
From the perspective of:
Access 
Enjoyment 
Sharing 
Consumption 
Renewable
Resource 
Wealth 
Preservable 

Only thing that increases in stock when you share it 

Very much like love :-)

A conversation with Mr. Putin’s former high-school biology teacher, however, quickly made clear that, as a popular Russian saying goes, “hope dies last.” She remembered Mr. Putin as not only a diligent student but also an exceptional basketball player because “he was very tall.”

Russia under Mr. Putin still reminds him of a sci-fi movie exoskeleton: “Inside is sitting a small, weak and perhaps frightened person, but from the outside it looks terrifying.”

Russia’s economy is dwarfed by that of America’s, which is more than 10 times bigger in dollar terms; it is too small to make even a list of the top 10, and it grew by around just 1 percent this year. Nor does Russia pack much cultural punch beyond its borders, despite excelling in classical music, ballet and many other arts. South Korea, thanks to K-pop and its movies, has more reach.

Yet Russia has become a lodestar for autocrats and aspiring autocrats around the world, a pioneer of the media and other tools — known in Russia as “political technologies” — that these leaders now deploy, with or without Moscow’s help, to disrupt a world order once dominated by the United States. These include the propagation of fake or at least highly misleading news; the masking of simple facts with complicated conspiracy theories; and denunciations of political rivals as traitors or, in a term President Trump borrowed from Stalin, “enemies of the people.”

x

The result is a state of fretful and anything-goes uncertainty, a condition summed up by Peter Pomerantsev, a Soviet-born British author, in the title of his 2014 book about Mr. Putin’s Russia: “Nothing is True and Everything is Possible.”

In Russia, Ms. Khrushcheva said, “it’s not what is on the surface, it’s doublespeak, triple-think. That’s why we are so good at art.”

The year of epistemology: 2020

.

A man is a critic when he cannot be an artist, in the same way that a man becomes an informer when he cannot be a soldier ― Gustave Flaubert

.

Bayode— tura

.

There is a midway condition which a man of such a destiny will not be able to recall without emotion: it is characterized by a pale, subtle happiness of light and sunshine, a feeling of bird-like freedom, bird-like altitude, bird-like exuberance, and a third thing in which curiosity is united with a tender contempt. A free-spirit, this cool expression, does one good in every condition, it’s almost warming. One lives no longer in the fetters of love and hatred, without yes, without no, near or far as one wishes, preferably slipping away, evading, flattering off, gone again, again flying aloft; one is spoilt, as everyone is who has at sometime seen a tremendous number of things beneath him — and one becomes the opposite of those who concern themselves with things that have nothing to do with them. Indeed, the free-spirit hence forth has only to do with things — and how many things! — with which he is no longer concerned... 

.

120k on 01/14/20

.

I

innocent sslule@yahoo.com
Windhoek, Namibia —

NGO boys

.

Shifa Kaddu
Looking Good
Studied Molecular Biology
Asked about Benzo’s vs. Alcohol
Told her they both inhibit GABA receptors
Wondered why they seems to make folks “happy”
I suspect that this alludes to a somewhat excitatory role
Clarified that they “inhibit” cerebral-spinal tracks, which are inhibitory
x
Found my reference to the “blonde-brigade” hilarious
Made sure she understood what I meant
That its all about “appearance”
But think they bad-ass
She is quite bad-ass
Business-woman 

.

Oliver Tambo international
— AMA Piano genre
— Lovin’ it
— Sweet SA girl recommended it

.

The Economist
Five Issues Dec 14 2019
Jan 15 2020 Jo’burg to ATL

.

Piers Morgan Ronaldo interview

.

Exactly 24hrs from EBB to ATL

.

Don’t defend me

.

The Economist’s Christmas Specials are typically an indulgent journalistic take on the most esoteric subject possible

For this reason they always expand the readers knowledge of the subject at hand by orders of magnitude, since the reader is unlikely to know anything about the topic

It’s entertainment, it’s education, it’s journalism

.


Cattle class
No service at all 

Affluent $300,000 - $1m
Premium economy 
Talk to advisors by phone, not branch 

High-net worth $15m in assets 
Business class 
Named advisors 

Ultra-high networth 
Fly private 
Venture capital, Currency hedges 


joan

.

ai & break cancer screening

.


Bakiga —

Eddie Mishambi
Sam Tulyamuhika
Martin Muhwezi
Michael Tumusiime 
Denis Mugisha 
Thomas Tayebwa
Anita Tayebwa 
Timothy Tayebwa
Sheila Kyobutungi 
Allan Turyahikayo Mugisha 
Jack Turyahikayo

x 

[Kyobutungi](https://en.wikipedia.org/wiki/Catherine_Kyobutungi) has described unused African research data as being like a hippo, "at the moment we can only see and access a very small amount – like the ears of a hippo in water – but we know there is a huge potential lying just below the surface".[11]
Catherine Kyobutungi

x

Alongside establishing a research program investigating the management of chronic diseases and ways to strengthen healthcare systems, Kyobutungi is exploring the role of digital technology in connecting patients with their healthcare systems. She has studied the influence of the WHO Framework Convention on Tobacco Control on tobacco legislation in Sub-Saharan Africa.

.

tapas, as one joke goes, is Spanish for “$96 and still hungry

.

allegro energico e passionato

.

The tyranny of the markets?
— invisible hand 🖐🏾 
— feminist economists 
— care work in service of others 
— quite invisible on GDP radar 
— power relations: age, sex, family, tribe
— web-based tech 
— asymmetries of info 
— value (labor) determines price*
— health services “insure” this labor 
— strong epistemological stance 1700
— reversal of stance to “weak”
— now price determines “value”* 1900
— birth of tautology 
— creates value because markets pay
— justifies salaries of finance sector 
— giant squid is thus most “valuable” 🦑
— employees most highly remunerated 
— they suck out everything from economy 
— merely by redistributing society money
 

.

Care work is frequently focused on the responsibility to provide for dependents, such as children, the sick, and the elderly.[4] However, care work also refers to any work done in the immediate service of others, regardless of the recipient’s dependent or nondependent status, and can even extend to “animals and things.”

Strong stance in epistemology of “value” (classical labor-theory of value). Weak stance uses “price” to define “value” (neoclassical notion of maximization — labor: idleness, capital: profits, consumer: utility).

Brings us back to St. Paul vs. Nietzsche and the issue the prescient problem: that higher culture is driven by science, which is incapable of generating value systems (Lower culture had religion, art, metaphysics for that). So this is my lifetask

.

Triple-threat

1.Patient Care (demand)
2.Education (supply)
3.Research (value) .

But as care services —

.


Living Kidney Donation: Best Practices in Evaluation, Care , and Follow-up

Chapter: 

January 15, 2020 at 6:08 PM
While aboard Airlink’s Embraer E190
I so happened to be in the mood to write this chapter

Lentine’s Book Chapter 

   Senses μ 
                 \
                  Identical ψ —> Willful 𝛿 —> Errors κ
                 /
                 Things σ

1.Evaluation/Highpriests
2.Characteristics/Nobility
3.Literature/Common
4.Followup/Reports
5.Interventions/Web-based-tech

BOOK CHAPTER
Introduction
Although the most important goals of donor evaluation are to identify donors with kidney disease that would preclude donation, eliminate the potential transfer of infection/cancer, and ensure there is no coercion, standard donor evaluation is hinged on excluding candidates who are at high risk for ESKD based on clinical risk factors such as age, sex, race, hyperglycemia, high blood pressure, proteinuria, GFR, BMI, and smoking history (Grams NEJM 2016, Lentine TPA 2017). To this end, online risk calculators endorsed by the 2017 KDIGO guidelines are used across the world by providers to help guide potential living kidney donors towards an empirically-based and shared decision-making process. But current clinical practice guidelines and all the available online risk calculators do not account for perioperative risks or other risk-factors, such as biological relationship of the donor to the recipient, that are strongly linked to long-term risks. 

Perioperative risk
The risks to the donor in the first 90 days of nephrectomy range from the minor to the adverse and are viewed with different emphases by donors, recipients, and transplant professionals. 

Long-term risk
Prior to 2014, all studies that investigated the long-term risk associated with living donation used the general population as a reference when assessing donor risk.

Communicating about risk
In 2016, Grams and colleagues ushered-in the era of web-based technology to facilitate dialogue between providers and potential donors about the implications of donor nephrectomy with regard to the subsequent risk of developed ESKD.

Summary
Truly individualized risk assessment for potential live kidney donors might never be realized. Available online risk calculators are too optimistic about our ability to distinguish the long-term risks faced by, say, a 25yo African American male donating to a full-sibling vs. a 25yo African American male donating to a biologically unrelated recipient (a 25-fold difference in risk might separate these two otherwise “comparable” scenarios. 



.

Description Umqombothi
Bushera

.

Atalena sente tafumita kindazi

.

umqombothi . .

I was about 25, somewhere in New York, where Baganda women, probably in their mid-to-late 30s christened me DDT (denzi dungi to). The same women described a grown mans duty some later date as “Okomba Bakuli”: how graphic! Anyways, Yvonne’s video sort of recalled those words, with Ukhamba replacing bakuli

.

Every person has to give up something to be great

.
Exploring the Lyrics of OutKast and Trap Music to Explore Politics of Social Justice

.



           Phase μ 
                   \
                    Identity ψ —> Space 𝛿 —> Change κ
                   /
                  Matter σ

As he picked himself up, Mr Li asked himself where all the money that had poured into jds had gone. Had it really just evaporated? He decided that, in fact, the apparent financial destruction of the company was what physicists call a phase change—the stuff was still there, but arranged in different forms. The money that had poured into the manufacture of communications equipment had made that equipment cheap, made the construction of a global internet feasible, and the future growth of internet companies a possibility. He developed a thesis for future success: in the wake of any over-investment there would always be a related opportunity to build upon its ashes in the form of newly cheap supply chains. The money that had been in jds had flowed off towards the next generation of internet companies that its infrastructure had enabled: Google, Amazon and eBay.




After decades of institutional failure to take allegations seriously, #MeToo showed the power of social media to disseminate accounts of predation and to give accusers a new sense of solidarity

.

Such men brought with them ge values. Taking a cue from Mr Welch, in 2001 Boeing moved its headquarters from Seattle to Chicago, putting distance between the suits in the c-suite and the engineers. As Mr Stonecipher put it in 2004: “When people say I changed the culture of Boeing, that was the intent, so it’s run like a business rather than a great engineering firm.” Shareholders loved it. Over the 15 years since, Richard Abaloufia of the Teal Group, an aviation consultancy, says $78bn was returned to shareholders, doing wonders for Boeing’s share price. But in the process, engineers’ input into decision-making was relegated, which may have contributed to the 737 max’s tragic design flaws. “The seeds of the max disaster were planted years ago,” he wrote recently.

.

Spinal surgeons, for their part, often take a dim view of evidence that what they do may be ineffective. Surgical training is based on an apprenticeship model. “You learn from a master, a great guru, and you do what they taught you. You don’t learn from a paper in the British Medical Journal,” says Andrew Carr, who heads the department of orthopaedic surgery at Oxford University. Surgeons generally consider an operation successful if the incision is small, things heal nicely and there are no complications, says Maurits van Tulder from Vrije University in Amsterdam. If they ever hear back from patients, that is usually from those for whom the operation worked—which leads surgeons to believe that it works most of the time.

.

As the sun set over Port-au-Prince on the earthquake’s anniversary, two houngans (Vodou priests) and several mambos (priestesses) gathered in the Bureau National D’Ethnologie for a ceremony for the dead. The mambos chanted and struck spade-shaped fans against clay pots in common time while seated drummers beat polyrhythms with hands and sticks. Instead of producing rhythmic anarchy, the mambos’ measured pulse combined with the drummers’ syncopation to mesmerising effect. That fusion of order and imagination sounded like the sort of beat a more hopeful Haiti could dance to. But its politicians are less skilled than its drummers

.

20/2020 at 3:47 Munkyo
— The economist impressed 
— Describing common time 
— And a polyrhythms ritual 
— By Haitian priest drummers 
— Showed a touch of class 
The metaphor was harmony 

.

China got through more cement between 2011 and 2013 than America did in the entire 20th century

.

One possibility is that younger folk may be less interested in home ownership. After all, many millennials desire “asset-light” lives in which they rent cars, music and clothes, rather than owning them. Why not housing too?

.

Marx predicted that capitalism would destroy every remnant of feudalism. It would tear asunder “the motley feudal ties that bound man to his ‘natural superiors’”, in the words of “The Communist Manifesto”. It would drown ecstasies of religious fervour and chivalric enthusiasm in the “icy water of egotistical calculation”. And it would subject every national institution to the revolutionary logic of the global market.

x .

This type of capitalism is the inverse of feudalism. In a feudal society you are bound to your followers by mutual bonds of obligation. In 21st-century capitalism you accumulate followers in order to monetise them. In a feudal society you are bound to plots of land: Harry is the Duke of Sussex while his elder brother is the Duke of Cambridge. In a 21st-century-capitalist society you are propelled around the world in pursuit of the latest marketing opportunity. It is only fitting that the principal agent of the current debacle, Meghan Markle, is the product of an entertainment business that has done more than any other industry to fulfil Marx’s prediction that “all that is sacred” would be “profaned” and “all that is solid” would “melt into air”.

.


               3 μ 
                   \
                    2 ψ—> 5 𝛿 —> 4 κ
                   /
                  1 σ

By combining all of these data the researchers show pretty conclusively that the temperature rose by about 2°C between 400,000 and 200,000 years before the mass extinction. It then fell gradually back over the subsequent 200,000 years to its previous level. They interpret this temperature spike as a consequence of global warming brought about by carbon dioxide released in the Deccan Traps eruptions. This would also have coincided with the rise and decline of other nasties, such as sulphur dioxide, which the Deccan volcanism pumped into the atmosphere. By the time of the mass extinction, in other words, it looks as though things atmospheric had returned to normal. It therefore seems unlikely that the Deccan Traps were responsible for the extinction. Rather, it was the asteroid wot done it.


              15k μ 
                   \
                    1.5k ψ—> 1.5m 𝛿 —>150k κ
                   /
                  150 σ

.

Opioids are the perfect way for the powerless to remain numb to the pain of their situation
Zarathustra understood this quite well since awakening the numbed turned out to be futile
Karl Marx’s communist manifesto appreciated this more than any other text in declaring that —
Religion was the opium of the masses — indeed its only the non-pious who need opium :(
Che Yeun, a young Harvard scholar, has elected a rich epistemological approach: trap music!

.

blind men feeling an elephant

.

Teddy Riley &
Pharrell Williams

.

Beats — Roland TR808
Onto a 807 Floppy
Sixteenths— PS 1200
Had “time correct” feature
Snares & High Hats DJ Toomp

.

Pharrell presents Timbaland with Lifetime Achievement Award | Global Spin Awards - YouTube

.



The street, the mixtape, communicating directly with the people — past the fetters of record label deals 

50 cent
T.I
David banner 

Mixtape = giving away music for free 
Platform
Cash money gone 
Juvenile failing 
Lil Wayne revived (DJ Drama - w)

Can’t sing 🎤, rap 
Have no instruments, sample
No record or distributing deal, mixtape 

A theme, variation, and evolution of hiphop emerges
Which is consistent with all modes of creativity
us to all modes of greatness
Analogue world, mix tape
Digital world, streaming. 

.



Slave labor in America 
Outcompeted farm labor in Europe
American produce was sold in Europe 
Industrialization of European cities follow
Migration from European rural to cities 
x
Emergence of modern medicine 
Life expectancy improved 
The ingredients of existentialism merged
Bad work conditions 
Families separated 
Dull work away from family
x
Unprecedented moment in history 
Work no longer permanent
Notion of unemployment emerges 

.

History of society
Struggle of classes
Power relations

.

I’m the trout, I like to swim upstream
— Pharrell

.

It caused me to think, and you don’t want people to think when they are listening to your music — you just want them to be carried away to some place
Pharrell

.

Like a trout swimming upstream
Search for and honor epistemology
That moves us away from seeing identical
And pushes us forward to see only no ID
Einstein’s imagination is a supreme e.g.

.

Lower culture had order of rank Higher culture has non-identity
Sounds a lot like its relativistic

.



Many companies, when they set out to hire a new boss, will inevitably come to the same familiar crossroads: a choice between opposites.

Candidate “A” is the reliable, stalwart pick; someone who’ll keep a steady hand on the tiller. Candidate “B” is the unpredictable-maverick option; a creative, impulsive manager who’s liable to turn things upside down: Maverick vs Stalwart

Shakespeare’s Harry combines both. Henry IV parts I and II present is the mischievous but lovable maverick Prince o Wales in the company of Falstaff — a moons man. Then Henry V presents a ruthless cunning and completely transformed young king who abandons his old ways to become a stalwart of his kingdom in expanding its territory to France 

.

We want to celebrate those who are moving the world forward
Not those who are keeping it in a holding pattern
And so our rank order speak to
Thinking different Unignorably

.

Values are Parmenides
Environment is Heraclitus
So I’m every Woman 👩🏾

.

“Governments are the only vessels that leak from the top” is a popular government saying referring to the leaking of information. A sailing vessel leaks water from the bottom.  On November 9, 1946, New York (NY) Times political reporter James Reston wrote: “Some of the reports were false and misleading, but since governments are the only vessels that leak from the top, a good deal of accurate information leaked out…”

It is about Gil Amelio, he once said to a technology reporter that Apple (97) was a ship full of treasures, but there was a hole on the ship and his job was to tell to Apple employees to row in the same direction… the leak at the top was Amelio in Jobs perspective. IMHO

There used to be a saying at Apple: isn’t it funny a ship that Leakes from the top? (Directed at Bill)

.


I often thing of things in life as being either a Bob Dylan or a Beatles song

Would be the PC: my life task from my teens, 20s, 30s and knew not to get married — until later (39)

Let that not be a consolation to me whose life task, in retrospect, is as heir to Nietzsche — value systems in higher culture which is so dependent on science

x

Are the two luckiest guys in the world because we found what we enjoyed to do very early (software programing and moving the human race forward) 

&

Were [were the right people] in the right place at the right time

— Steven Jobs [Of himself and Bill Gates]

Because Woz and I built the whole banana, we were never used to building partnerships. Microsoft is the only successful parternship we built that earlier on the worked for both. 

Since Microsoft never built the whole thing, they were used to working in partnerships from the very beginning and so thats something we could have had in our DNA earlier — only got in much later 


.

             Text μ 
                   \
                    Prophet ψ —> Voyage 𝛿 —> Destiny κ
                   /
                   God σ 

.


           Savoir μ 2020
                         \
                          Voir ψ 2018 —> Metaphysics 𝛿 2019 —> Pouvoir κ 2022
                         /
                         Ontology σ 2021

.

Metaphysics is human error
Science is the most valiant branch yet
But it only reaffirms human, all too human

.

Babyface
Jimmy Jam & Terry Lewis
Teddy Riley

.



Dear Authors
 
The editors have informed us that you have kindly accepted the invitation to contribute to the upcoming Springer title: Living Kidney Donation: Best Practices in Evaluation, Care and Follow-up. On behalf of Springer, I would like to welcome you as an author and thank you for your willingness to take on this task. Please refer the working TOC attached for your reference.
 
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Preeta Kumaraguruparan
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.

ability to experience interest and pleasure

.

Diddy didn’t invent the remix
That was sexual reproduction
What a marvelous job it does!

.


        Naïve μ Boy
                  \
                   Indifferent ψ Cliché —> Differentiate 𝛿 Stereotype —> Rank κ “Know”
                   /
                   Order σ Girl



.

Anne Merriman, Titan & Hero

Audacity to Love: The Story of Hospice Africa: Bringing Hope and Peace for the Dying

.


Boeing 737 MAX Conclusion: iFEAST

      Information μ 
                    \
                     Diagnosis ψ  —> Action 𝛿 —> Feedback κ
                    /
                    Blackswan σ 
Wikipedia’s entry for “Human Error” is Human, All Too Human:
Doesn’t treat man as a mere agent within a complex ecosystem
And neglects the interactions ensuing from the Chaos of Space-Time
So we can talk of “Frailty” of the system or ecosystem or process
“Error” of the agent, variance in Space-Time, but constancy of gravity
https://en.wikipedia.org/wiki/Human_error Frailty Error Agent Space Time

       Perceptual μ 
                    \
                     Mental ψ —> Organizational 𝛿 —> Communication κ
                    /
                    Ecosystem σ 

What goes up must come down and that is a simple consequence of gravity
So one must not wonder why a plane crushes, question why it remains up
Frailty of such a system is out of the question with the brand-new MAX
Doesn’t mean that error by a participating agent in the system was likely
Interactions within a robust system, with chaotic elements—agent inclusive!
  

.

Rahab: Thus the harlot of Jericho became a paragon of virtue

.

Friedrich Nietzsche’s view of virtue is based on the idea of an order of rank among people. For Nietzsche, the virtues of the strong are seen as vices by the weak and slavish, thus Nietzsche’s virtue ethics is based on his distinction between master morality and slave morality. Nietzsche promotes the virtues of those he calls “higher men”, people like Goethe and Beethoven. The virtues he praises in them are their creative powers (“the men of great creativity” - “the really great men according to my understanding” (WP 957)). According to Nietzsche these higher types are solitary, pursue a “unifying project”, revere themselves and are healthy and life-affirming

Because mixing with the herd makes one base, the higher type “strives instinctively for a citadel and a secrecy where he is saved from the crowd, the many, the great majority…” (BGE 26). The ‘Higher type’ also “instinctively seeks heavy responsibilities” (WP 944) in the form of an “organizing idea” for their life, which drives them to artistic and creative work and gives them psychological health and strength.[44] The fact that the higher types are “healthy” for Nietzsche does not refer to physical health as much as a psychological resilience and fortitude. Finally, a Higher type affirms life because he is willing to accept the eternal return of his life and affirm this forever and unconditionally.

.






Friedrich Nietzsche's view of virtue is based on the idea of an order of rank among people. For Nietzsche, the virtues of the strong are seen as vices by the weak and slavish, thus Nietzsche's virtue ethics is based on his distinction between master morality and slave morality. Nietzsche promotes the virtues of those he calls "higher men", people like Goethe and Beethoven. The virtues he praises in them are their creative powers (“the men of great creativity” - “the really great men according to my understanding” (WP 957)). According to Nietzsche these higher types are solitary, pursue a "unifying project", revere themselves and are healthy and life-affirming

Insight μ St. Paul (Left Tail)
                             \
                               Solitude ψ Risk (Limit Theorem) —> Virtues* 𝛿 —> Empathy κ
                              /
                               Courage σ Nietzsche (Right Tail)

Because mixing with the herd makes one base, the higher type “strives instinctively for a citadel and a secrecy where he is saved from the crowd, the many, the great majority…” (BGE 26). The 'Higher type' also "instinctively seeks heavy responsibilities" (WP 944) in the form of an "organizing idea" for their life, which drives them to artistic and creative work and gives them psychological health and strength.[44] The fact that the higher types are "healthy" for Nietzsche does not refer to physical health as much as a psychological resilience and fortitude. Finally, a Higher type affirms life because he is willing to accept the eternal return of his life and affirm this forever and unconditionally. Rahab: Thus the harlot of Jericho became a paragon of virtue

.

Popup shop — Joan

.

Chapter 12: Risk Assessment & Communication

Abimereki D. Muzaale 
Surgery, Johns Hopkins University, Baltimore,MD, USA, amuzaal1@jhmi.edu

Allan B. Massie 
Surgery, Johns Hopkins University, Baltimore,MD, USA, amassie1@jhmi.edu

Dorry L. Segev
Surgery, Johns Hopkins University, Baltimore,MD, USA, dorry@jhmi.edu  

Abstract: (128/150 words)
Keywords: (9/8 words): perioperative and long-term risk, kidney failure, online risk calculators

ABSTRACT
Live kidney donation is associated with perioperative- and long-term risks to the donor. These risks vary by orders of magnitude across donor subgroups defined by age, sex, race/ethnicity, hyperglycemia, high blood pressure, urine albumin-to-creatinine ratio, glomerular filtration rate, body-mass index, smoking history, and family history of kidney failure. Genetic factors, perinatal factors, and life-course events may help to further differentiate within-group risks; however, such upstream idiosyncrasies remain inadequately characterized in the donor population. For these reasons we may only be able to describe the perioperative- and long-term risks faced by the average donor and possibly explain between-group risk variation. But our ability to forecast an individualized-risk score and, as such, communicate it to a prospective donor is not possible and will remain an idealism for the foreseeable future.

.

Thomas LaVeist’s book on race